One of the buzz words at the moment is neuroplasticity (see http://en.wikipedia.org/wiki/Neuroplasticity?dm_i=113838564) or, as the Nintendo generation know it, Dr Kawashima's Brain Training. Well Doc Grebson prescribes a different (bad) medicine, which is getting out there, learning knew things, learning to see properly again. I don’t have a lot of knowledge about architecture but what I got out of the exhibition was some heightened perception of the nature of architecture – Aalto’s achievements, so it seemed to me, were about introducing organic shapes, bringing natural light into buildings, and bridging the urban with the natural world.
I particularly liked his Villa Mairea which encapsulated his belief that a building should have different moods in different parts, just as a play has different acts or a symphony different movements. For example, the forest outside the villa was mirrored inside by the different spacing of banisters and columns.
I took this awareness back into the lovely concrete forms of the Barbican: as the weather changed during the day from overcast to bright sunshine, so new views and vistas opened up, which despite the many hours I have spent in the Barbican, were new to me.
Alto was also (one of or the) first to bend pieces of wood into chairs in that Scandinavian style – he noted that a chair was about the meeting of the horizontal and the vertical. Unfortunately, like almost every other designer, he failed to notice it was also about posture and support. I enjoyed watching several Japanese visitors wincing as they tried out one of his classic designs. Earlier in the day, I had found myself not enjoying a particularly hard stool.
No comments:
Post a Comment